Long & Short-form

Storytelling in Motion

From complex news stories to playful pop culture recaps, I bring ideas to life through editing, producing, and motion design.

My work spans investigative journalism, documentary-style storytelling, digital series, and short-form content—each with its own creative challenges and opportunities. Sometimes that means distilling complicated information into something clear and compelling. Other times, it means getting a little weird with graphics, experimenting with visual styles, or finding a fresh way to tell a familiar story.

The Work

I've helped shape stories across a wide range of subjects, styles, and platforms.

• CNN Explains: Screen Time — Produced and edited an explainer exploring kids and screen time, including custom motion graphics.

• CNN | Upcoming Digital Project — Edited vertical, short-form videos focused on health and wellness, developing bespoke graphics and visual treatments for a new CNN initiative.

• America250 — Editorial and production work exploring American history and the nation's 250th anniversary.

• All the Best, All the Worst: 2017 — A playful, graphics-heavy look back at the year's biggest pop culture moments.

• All the Best, All the Worst: 2016 — A fast-paced, visually inventive recap of the year's most memorable online and offline moments.

How I Work

I love the intersection of storytelling and design—where a well-timed cut, an unexpected visual, or a clever animation can completely change how a story lands.

I'm equally comfortable shaping a narrative, building a visual language, and getting into the weeds of the edit. Whether I'm producing a piece from the ground up or collaborating with a larger creative team, I bring an editorial eye, a strong design sensibility, and a healthy appetite for experimentation.

Why It Matters

This is the foundation for everything else I do.

Before systems, before scale—you need clarity.

My background in editorial is what allows me to step into fast-moving environments, make sense of what’s happening, and build structure that holds up under pressure.

The goal is always the same: make something people actually want to watch.